I picked up the novel of Yessoh G.D. entitled “Ta Le” because I wanted to experience a culture that was not my own. I find myself torn about leaving this review because my background is not African and I’m wondering if I am missing something, or if I’m taking something for granted that is not applicable.
Either way, I’m going to plunge ahead and leave my honest review. I will leave it up to the reader to decide if I have encapsulated the novel with accuracy and fairness. So, let’s begin.
We follow two main storylines in the novel. The first is a government operation involving a young analyst drawn into affairs far above his pay grade. After the assassination of an important global figure, Kobenan is tapped to help solve the mystery of this death beside the mysterious leader of the government-based S-cell. The second storyline is of Joel a young man in the city who finds his familiar world unraveling at an alarming speed. In one evening he is orphaned and his sister is spirited away by creatures he has always seen, but never understood. With this act of violence, he is swept into a world of African lore, which appears to be preparing for war.
These two stories weave together through a convoluted series of events that introduces Kobenan and Joel to the unknown world of spirits and djinn that surrounds them. Powerful beings have come into the world and they are being manipulated and sought by a powerful magician who seems bent on the destruction of the current world. A nice twist arrives at the end when we discover — sorry, just can’t do that to you.
But, suffice it to say – I didn’t see them coming. That string of sudden revelations was a pleasant surprise. Overall, I found the pacing was good and the characters have so much more to give.
Now to the part of the story where I had problems. There were moments when through the voice of the narrator the modern world could fall away. I found myself immersed in a dark night on a vast savannah with only the comforting light of a campfire, the figure of a storyteller, and the story.
These moments were wonderful and engrossing and rare. The problem I had was that they were also invariably interrupted. As a reader I found myself confronted with a harsh flip back to modern times. Don’t mistake me. This wasn’t because of the mention of suits, or ties, or watches, or SUVs. The presence of modern items was not the problem. The jolts came from a sudden trip in style or the intrusion of modern language.
When the author draws the reader into the world of lore and djinn, and the ancestors it is truly a magical transformation. I wanted to stay there. My disappointment was that in the end, my time in those wild and untamed realms was all too brief.
I received an advance review copy for free, and I am leaving this review voluntarily.